Alive in the Moment

It was only last summer, but it seems a lifetime ago that we visited Iceland…

 

…a country very different from ours, but one of stark beauty.

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A land of fire…

(Photo from Eldheimer Museum, Westman Islands.)

 

…and ice.

 

History…

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Culture…

 

…and wit.

My mom used to say, “You can find something in common with everyone you meet, even if it’s only that your feet hurt.”  A global pandemic should qualify.

At the Adalstraeti Museum, we saw old photographs of the inhabitants of Reykjavik.

An interpretive sign read, “Women in traditional costumes, boys from the Reykjavik Football Club…a professor in a coat with an opulent fur collar, several generations of a family, parents with their firstborn, Little Miss Reykjavik, a girl with a lamb, a boy in a sailor suit. It’s tempting to speculate on where they might have gone after the photographs were taken. Home to Lindargarta, or for a coffee at Hotel Island? Down to the shore to watch the lumpfish catch being landed? Or back to work after returning borrowed clothes?

All the portraits in this exhibition were taken in the first nine months of 1918…Some of the people we see in these pictures may well have perished in the epidemic: all will have lost friends or relatives. The only thing we can know for sure about these past inhabitants of Reykjavik is that in the instant the shutter opened, they were there—facing the camera—alive in the moment.”

On October 19, 1918, the Spanish flu hit Iceland like a tsunami when three infected ships made port in Reykjavik.  The first death followed twelve days later.  Ten thousand people, two thirds of Iceland’s capital city, fell ill.  The hospitals were overwhelmed.  A field hospital was set up to accommodate the overflow, and a center was created to care for children orphaned by the pandemic.  Shops closed, newspapers went dark, and when telephone operators took ill, Iceland lost contact with the outside world.

While the West and South of Iceland suffered, guards were posted to prevent travel from infected areas. They contained the spread, sparing the North and the East of the island. After a month, the infection peaked, and the dead were buried in mass graves.

The exhibit commemorated the centennial of the 1918 pandemic and celebrated the Icelanders’ laudable response. Many donated funds to feed the sick. Others brought meals to friends and strangers.  Everyone in Reykjavik was assigned an official to check on them and procure help, if needed.

We were there in the summer of 2019, never suspecting that the exhibit foreshadowed the novel coronavirus that would strike the following winter, and rapidly intensify into a global pandemic. We still languish in the first wave of CoVid-19, recalling with apprehension that the Spanish flu came in four waves, infected 500 million people, and left 50 million dead.

An older story harkens back to The Black Death, that raged across Asia and Europe in the 14th century, spread by sailors and rats along trade routes.  Within five years, it too had killed 50 million people.

(public domain)

At that time, an Icelandic merchant ship was preparing to sail homeward from Bergen, Norway, hoping to outrun the plague.  But before they could weigh anchor, several crew members developed symptoms.  All their instincts must have cried out for home…

 

…but the crew elected to remain in Bergen, knowing they would never see their home or loved ones again.

 

Thanks to their sacrifice in 1347, Iceland was spared the ravages of that deadly plague.

 

As the Adalstraeti Museum stated, the only thing we can know for certain about these people from the past is that they were there, alive in the moment. But it’s tempting to speculate.  Had you been on that ship, with buboes swelling in your groin, would you have resigned yourself to death in a foreign land to spare your countrymen a similar fate?  What if you were one of the crew with, as yet, no symptoms?  Would you still remain in Norway, surrendering any slim hope of survival, in order to contain the infection for the greater good?

(public domain)

I met my sister’s friend Rachel, a retired nurse, and her husband while visiting in Alaska. I was surprised last spring, when she left Juneau to fly to New York, which was suffering 600 deaths daily, as hospitals were slammed by CoVid-19 patients.  Rachel joined thousands of healthcare volunteers working 12 and 16 hour shifts, collapsing into bed each night, and waking to start all over again.

A friend of mine volunteers at a shelter for homeless youth. Why risk it? I speculate that in each youth she sees a person plagued by fears and sorrows, yet clinging to hopes and dreams.  Like the girl with the lamb, these kids are alive in the moment, but their world was rife with hardship, danger, and isolation even before the pandemic struck. A pandemic shines a harsh light on society’s economic and racial disparities, and those kids are a tiny fraction of the people who’ve slipped through holes in our social safety net.

We don’t know what the next five years, or even five months will bring, but it will get worse before it gets better. Like the people of Reykjavik, we must care for each other. Some people are in no position to donate funds or volunteer outside of their place of shelter. But almost everyone can wash their hands and wear a mask when going out, if not to protect themselves, then to protect the vulnerable among us. Like those who were here–facing the camera–very much alive in the moment…

 

Everyone is someone’s child, parent, sibling or grandparent.

 

 Many have underlying conditions or circumstances you know nothing about.

 

Wearing a mask is inconvenient, but well worth it, if it can save even one life.

If you can’t do this one small thing for friends, family, neighbors, and community, it’s tempting to speculate…what kind of person are you?

Except where noted, ©2020 Naomi Baltuck

 

 

The Palace of Bird Beaks

The Queen of Sheba visited King Solomon, bearing opulent gifts, and hoping to see if he was as wise as the stories claimed.

“What can I offer in return?” asked Solomon. “Only ask, and it shall be yours.”

The queen had also heard that Solomon spoke the language of the birds, but didn’t believe it. Here was her chance to kill two birds with one stone.  “Build me a palace made entirely of bird beaks,” she said, “if you can.”

“Oh, I can, ” boasted Solomon.  “You shall have it.”

To her amazement, Solomon summoned the birds, from every corner of the earth.

 

They heeded his call…

 

….from the tiniest hummingbird…

 

…to the majestic eagle.

 

“We’re going to make our nation the envy of the world,” he told his gathered flock, to the cheering of the birds.

 “But I need your beaks to build a palace.”  And the birds bowed their heads and wept.

 

“Stop fussing,” said the king.  “Everyone dies sooner or later.  Believe me, I know more about that than anyone else in the world.”   The king scanned his gathered flock as they waited to die.  “Where is the hoopoe bird?  Why isn’t she here?  How dare she defy me?”

 

Breathlessly, the hoopoe swooped in to land at his feet. “Forgive my late arrival, Sire. I’ve come from the ends of the earth, and I’ve seen so much along the way. I’ve even learned three things you don’t know.”

(photo in public domain)

 

“Really?”  King Solomon frowned.  “A lot of people say I’m the smartest king that ever lived.  I know more than anyone, about pretty much everything in the world.  What could you possibly know that I don’t?  Tell me quickly, before I take your beak.”

The other birds trembled, fearful that Hoopoe would upset the king, for they knew that he didn’t like his genius questioned.

 

“Sire,” asked Hoopoe, “do you know who it is that was never born, nor will never die?”

“Of course, I do!  The Lord of the Universe…

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…the Creator, who made the sky above us…

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…the earth we stand on…

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…every blade of grass…

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…every creature that walks…

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…or swims…

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…or crawls.

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King Solomon hesitated.   “Or flies.

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Solomon looked at the birds…

 

…each one magnificent…

 

…each in its own way…

 

…..each one created by the Lord of the Universe…

…who had also made Solomon, and blessed him with wealth, power, and responsibility.

“What’s the second thing?” asked Solomon irritably.

“Sire, do you know what kind of water rises not from the earth nor falls from the sky?”

“Of course, I do!  It’s a tear that falls from the eye, born of sorrow.”

Solomon looked at the birds, their heads bowed, tears flowing, as they waited for him to chop off their beaks.  Might he have acted rashly in agreeing to build a palace of bird beaks?  But the Queen of Sheba, the whole world was watching, and he thought, “A promise is a promise.”

“One last question, Sire,” said the hoopoe.  “Do you know what is so delicate that it can put food into the mouth of a baby, yet is strong enough to bore holes into the hardest wood?”

“Of course, I do.  It’s a bird beak,” said the king.

(Photo by Amanda Lightfoot)

 

“Yes,” he repeated, “a bird beak.  Of course.”

 

The great gathering of birds stretched out before him, their lives and children as precious to them as his own were to him…

 

In his arrogance, he’d promised to build a useless palace to fulfill a selfish whim, and to make his own subjects pay for it, without considering the cost in blood and tears.  And he knew what he must do.

 

“Hoopoe, you’ve demonstrated courage for daring to resist this injustice.  You have shown wisdom in helping me understand that my true power is in resisting my own cruel impulses.  I shall not demonstrate my power by destroying the defenseless.”

King Solomon turned to the Queen of Sheba.  “A wise and worthy leader must never be so proud that he can’t admit his mistakes, or do what he must to right a wrong.  There will be no palace of bird beaks, now or ever.”

The queen smiled and nodded.  “I came here to take the measure of a man, and I believe I’ve accomplished what I set out to do.”

 

Except where noted, all words and images ©2020 Naomi Baltuck

 

 

Telling Tales Under the Rainbow

“When Bat came to the animals’ party, Zebra said, ‘You’re not an animal. You have wings. Go to the birds’ party!’  Bat went, but there it was the same. Eagle told Bat, ‘You’re not a bird. You’ve got fur and ears and teeth.’  Bat slunk away.  Perched on a branch, as he cried, he lost the strength to hold himself upright.  He flipped over to hang upside down, his tears dripping down to the ground.”

When the story was over, everyone in the circle applauded Allison.

“It’s sad,” said the first listener. “If it were a kid’s book, the bats would get together and have their own party. But Bat doesn’t get a happy ending.”

“That’s reality. He didn’t choose to be this way and he’s rejected for it anyway.”

“For me, this question of categorizing Bat is really important. It reminds me of going to the bathroom and choosing ‘Men’ or ‘Women.'”

“Or being bi and having everyone want to label you as either gay or straight.”

So begin our meetings at Under the Rainbow

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As the parent of gay children, Naomi Baltuck knew that few programs or public gathering places existed for LGBTQ in Edmonds, just north of Seattle.  In a climate of increasing intolerance, she wanted to use storytelling to heal, inspire, and strengthen the community.  But that connection had to be built on trust, and that trust had to be earned.

Under the auspices of the Edmonds Neighborhood Action Coalition, she partnered with a local queer-friendly game pub to launch a monthly Family Gayme Time, which drew a good crowd. Once that was established, she asked the Edmonds Library to host a monthly storytelling series called Under the Rainbow, for LGBTQ and Allies. When they agreed, she contacted the high school’s Rainbow Warrior advisor, and the Edmonds Diversity Commission.

Allison Cox, social worker and author/editor of The Healing Heart books on storytelling for healthy families and communities, lent her expertise. We needed it. Under the Rainbow was built from scratch. Should there be rules? Age limits? Time limits? Language restrictions? Could we find LGBTQ storytellers willing to work gratis, since we had no budget? We put the word out, and along came Chris Spengler, a storyteller known for her humorous and uplifting personal tales. Chris jumped on board, and we had our team.

Our vision wasn’t of polished performances, but to create a place for LGBTQ and Allies to share their own stories, to support each other and be supported. Rules proved unnecessary in a place where everyone is respected. Age limits too; we’ve had babies, elderly, and everything in between; everyone’s welcome. Our team comes prepared to tell, to get things started. Most of our lives aren’t centered around being a lesbian or bisexual or a supporter of those who are, so we also tell stories dealing with sexism or rejection for not fitting family expectations or having to suddenly pick up and start your life over…the human condition.

The first Under the Rainbow drew only four, we three storytellers and a straight friend. We reminded ourselves that storytelling can be healing, but to a person who has been disowned for coming out, it’s emotionally risky. Eventually Gayme Timers made the leap from playtime to storytime. We got school referrals, utilized social media, and the Seattle Storytellers Guild championed the program, lending non-profit status for grant-writing.

We meet at the library every Second Monday, 6:30-7:30PM. Refreshments are always served, because exchanges over cupcakes can be as momentous as those happening within the Story Circle. After each tale, participants are invited to share their reactions. Listeners opened up gradually. The first time someone volunteered to tell a personal story, we were hopeful. The next month, when a young person prepared a story ahead of time, we were elated. Now nearly everyone shares. The gay son of a Mormon bishop, a straight elderly woman who dated a gay man in Lebanon fifty years ago. We heard about being gay in Mongolia. Being homeless. At last month’s meeting, one coming out story led to another and another.

Tackety Boots (The Healing Heart ~ Families, edited by Allison Cox and David Albert) is a traditional Scottish tale about Sandy, who is kicked out of a party for having no story to tell, then takes an unexpected canoe trip across the river, changing gender in the process. He lives as a woman with another man and they have a child. Sandy finds the canoe one day and is shocked when it carries him back across the river and he becomes male again. Distraught, he bursts into the party and wins a bag of gold for telling the best story of the night. But Sandy could only whisper sadly, “Oh my child! Oh my man!”

Allison even told the children’s classic, “Going on a Bear Hunt,” by Michael Rosen, an acknowledgement of all the times in life you “can’t go over it, can’t go under it, can’t go around it…got to go through it!” Everyone clapped in time, grinning like a kid.  Naomi chose Tatterhood, the Norwegian story of a girl born different. No matter how hard the queen tries to mold her into a princess, she defies taming and remains true to herself, but saves the day in her own way.  While traditional stories evoke conversation, Chris’s personal stories turn listeners into tellers.

The success of this program can’t be measured in numbers, but by the impact it makes on people’s lives. Even more good things lie ahead. We’ve just received a grant from the Pride Foundation to bring in more LGBTQ storytellers for concerts. Writing Rainbow is a natural offshoot of Under the Rainbow. We meet monthly at a queer-friendly Edmonds café to write, brainstorm, and meet other LGBTQ+A writers.  A Gayme Time spinoff is LGBTQ+A Dungeons and Dragons, where gaymers roleplay a crew of gay pirates, creating their own continuing adventure story.

Here, under the rainbow, we celebrate who we are. It looks like the bats are having a party of their own after all!



Naomi Baltuck, Chris Spengler and Allison Cox are storytellers living on the shores of beautiful Puget Sound, and they invite you to come listen and share a tale at Under the Rainbow.

©2018 Naomi Baltuck, Chris Spengler, and Allison Cox

A Match Made in Hell

 

Are you familiar with The Little Match Girl by Hans Christian Anderson?  It’s a tragic tale about a child trapped in a world of poverty and abuse, hunger and homelessness…

On New Year’s Eve, someone steals her ill-fitting shoes, so the little girl wanders barefoot through the snow, trying to sell matches to uncaring people hurrying home to warm houses and holiday feasts.  No one has a farthing or even a second glance for the unfortunate waif.  If she goes home having sold no matches, her father will beat her.  To keep the cold at bay, she huddles against a wall and strikes her matches, one at a time. In each tiny flame she sees visions: a warm stove, an elegant feast, a Christmas tree lit by candles…  

Then her dead grandmother, the only person who ever treated her with kindness, appears to the shivering child, and carries her soul off to Heaven. The next morning, the strangers who walked past her the night before discover the little match girl’s icy corpse, clutching the burnt-out matches in her frozen fingers.  Too late they feel a twinge of pity.  The end.

As a child, I hated that story.  I was appalled that grownups could look away from a child’s suffering, without lifting a finger to help.  Why would anyone invent such a depressing story, and who would want to hear it?

As an adult, I still hate that story, and even more now, because I realize that when Anderson wrote The Little Match Girl in 1845, except for the bit about the grandmother, he was fictionalizing a deplorable reality he himself was witnessing. He wrote during the Industrial Revolution, when the poor were miserable and overcrowded.  Pollution from the unregulated burning of coal poisoned the air, and factories were dumping metals, chemicals, raw sewage, and other toxins into the lakes and rivers that people depended upon for drinking water.

Wages were so low that the working class toiled 12 to 16 hours a day, yet still couldn’t earn a living wage.  On the brink of starvation, they sent their children to work in factories and mines.  Many were separated from their families, left to the ‘mercy’ of strangers, working ungodly hours for only a place to sleep and the food they ate.

In 1832 it was reported, “…workers are abandoned from the moment an accident occurs; their wages are stopped, no medical attendance is provided, and whatever the extent of the injury, no compensation is afforded.”  

The wealthy were given free reign to exploit the poor. When the Industrial Revolution sparked disputes over inhumane working conditions, the government introduced measures to prevent labor from organizing. The rich got richer, the poor remained poor, and children, who were forced to work all day or starve, couldn’t get an education to help them rise from poverty.

In the USA, industrialization occurred mostly in the North, with an influx of immigrants serving as factory fodder to keep up with attrition and demand. The South had its own foul history of systemic oppression, with its agrarian economy dependent upon human slavery.

Over time, Americans have fought and died for the cause of social justice.  They organized labor unions, which brought an end to child labor, shortened the work week, and ushered in workman’s compensation for on-the-job-injuries. They are still trying to negotiate a living wage.  Public education, Social Security, Medicare, Affordable Healthcare have all helped to even the playing field and a provide a social safety net.  Civil rights, women’s suffrage, Affirmative Action, environmental protection have, too.

We still had a long way to go to overcome class, gender, religious, and racial discrimination, such as the legacy of Jim Crow that still exists.  Yet we saw the middle class grow, the standard of living rise, and each generation doing better than the preceding one, until the 1970s.  What in Hell happened?  Ronald Reagan, and his trickle down economics, for starters.  It has been a downhill slide since then, snowballing since the Trump administration took power.

Today there is a little match girl on every street corner.  Our democratic republic has degenerated into an oligarchy, bought and run by big business, with puppet strings being yanked all the way from Russia.  International treaties have been broken, environmental protections scrapped to increase company profit, families torn apart by inhumane ICE policies, cruelly punishing the innocent children of undocumented immigrants. Affordable Healthcare, Social Security and Medicare are in the administration’s crosshairs.  The three richest men in America own more than half of this country’s wealth.  Our society has regressed two hundred years to become a near perfect match for the one that inspired Hans Christian Anderson to write The Little Match Girl.  A match made in Hell.

I will always hate that story.  But we need to keep telling it, until we can pound out a new ending.  We need to keep telling it, until we never need to tell it again.

©2018 Naomi Baltuck

Poetry in Motion

Forgive me, Blogger, it’s been four weeks since my last post. I’ve been out in the world!

We were visiting our son Eli, who teaches in Turkey.  He has adapted remarkably well.

 Eli lives off the path beaten by tourists, but flew to meet us for a visit in Cappadocia.

He came bearing gifts, including Turkish cotton candy, pistachios, dried apricots, baklava, and my favorite–a savory snack with a cheesy crust baked over a peanut.

We brought him a taste of home–Triscuits, Good ‘n’ Plenty, Junior Mints, Reese’s Pieces, dried seaweed, and Girl Scout Cookies.

I’ll tell you more about Cappadocia another time. But trust me: it was golden.

Eli met us again in Istanbul, a huge city with masses of people, dogs and cats everywhere.

The streets and bazaars were a crunch of unrelenting perpetual motion.  I had to snap pics on the fly to avoid losing my companions in the sea of people.

The Spice Bazaar was stimulating to the senses; we were hard pressed to take it all in!

It was fragrant.

Tasty.

Exotic.

 

Bright.

And shiny!

It was all Turkishly delightful.

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I sensed invisible walls, like those on subways in New York, Rome, or anywhere multitudes converge and people are reluctant to meet each other’s eyes.  But I caught glimpses, reminders that each person in the throng was someone’s parent…

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Sister…

Brother…

Friend, spouse, or lover.

On the walk back to our hotel, traffic was barely moving.  Street vendors bravely plied their trade among the backup of vehicles.

Across the street someone emerged from walls raised by Emperor Constantine more than 1500 years ago.  I zoomed in with my camera, waiting for traffic to abate. It was a long wait, but finally it happened.  I looked up to meet the eye of the driver who’d stopped his rig in the midst of rush hour to give me a clear shot.  He motioned to me to snap the pic. I clicked and smiled, he waved, shifted gears, and drove on.

As I watched him go, I saw a Titanic moment played out by a couple of kids from a car’s sunroof.  I snapped it, knowing it wouldn’t be a great shot, but I wanted to record the joy of that moment, theirs and mine, which was heightened by a stranger’s act of kindness.

Then someone was speaking to me in Turkish from a car by the curb.  Was he scolding me for taking photos?  Or holding up traffic?  But he held up his own camera, and in one eloquent motion, he instantly established understanding and common ground between one lover of life and another.  He smiled so warmly I had to laugh and take his picture!  For his open heart, his good humor, his generosity to a stranger and a foreigner, I believe at that moment I truly loved him.  In fact, I still do.

All images and words copyright 2015 Naomi Baltuck

Click here for more interpretations of The Weekly Photo Challenge: Motion.

Testing One’s Mettle

“What are you afraid of?” author Bob Mayer asked at a writing conference, “because that’s what’s holding you back as writers.”

At the time, it was social media–mastering new technology, committing to cranking out a weekly post. But I started a blog, and am glad I did.  Since my first blogpost I’ve made new friends, discovered photographic storytelling, which I love, and crossed a whopper off this writer’s to-do list.

Marriage was another commitment that terrified me, but I faced that fear too.

It took seven years before Thom and I felt brave enough to assume the awesome responsibility of parenthood.  It’s the most joyful, most difficult, most rewarding, and most important undertaking we’d ever signed on for, or ever will.

Whether we choose them ourselves or take what fate throws our way, the most daunting experiences are often the most edifying.

The most challenging ones tend to be the most rewarding.

With the toughest climbs come the best views.

After the kids were old enough to change their own diapers, we thought could rest on our laurels, but there was an unexpected twist to the parent/child relationship.

We raised kids who challenge themselves.  Bea watched her big brother do his math homework, and designed her own “Really Hard Math Problem.”

As they tested their own mettle, and created their own challenges…

…we were forced out of our comfort zones just to keep up.

Thom and I would never have chosen to go to the Amazon jungle if the kids hadn’t been keen to go.

It was hard to watch my kids twist and turn like little spiders on a web as they climbed 200 feet up into the canopy to zipline.  And for the first (and probably last) time in my life, I went ziplining too.  You never know when someone might need a bandaid or some bug repellant.

Only for my kid would I board a hot air balloon in Cappadocia, another thing I swore I’d never do. But it’s good to feel a fire in your belly and rise above your fears.

We are not extreme travelers.  I’ve said it before and I’ll say it again: most of the adventures I have are in my own mind.  But for the sake of my kids, I’ve put on my big girl panties and donned a hard hat once or twice.

Sometimes you have to throw caution to the wind.

 I appreciate people who can lure me out of my comfort zone.

Sometimes it’s good to commit to a path with unexpected twists and bends.

I’m sure I’m a better person for it. And if nothing else, Life Outside The Comfort Zone provides great material for a writer.

All images and words copyright 2014 Naomi Baltuck.

Click here for more interpretations of The Weekly Photo Challenge: Twist.

Click here for more interpretations of The Weekly Travel Theme: Metal.

Science Experiment

Belle Bath Cooper wrote 10 Simple Things You Can Do Today That Will Make You Happier, Backed By Science for the Huffington Post. I highly recommend it.  I intend to apply Ms. Cooper’s advice on a daily basis to cultivate a habit of happiness.  In case you want to try, I’ve compiled visual aids…

#1. Exercise

#2. Sleep

#3. Move closer to work

#4. Spend Time with family and friends

#5.Go outside

#6. Help others

#7.Practice smiling

#8.Plan a trip

#9. Meditate

#10.Practice gratitude

All images and words copyright 2013 Naomi Baltuck
Click here for more interpretations of The Weekly Photo Challenge: Habit.
Thanks to my FB friend, storyteller Carol Connolly, who shared Ms. Cooper’s article.

One More Time

Sharon Creeden has been my good friend for thirty years.

She was a King County prosecutor, a right-brained person in a left-brained world.  I would describe her as a person with one toe deeply rooted in the earth, and an ear bent toward Heaven.  No wonder she left law, and went on to become an acclaimed storyteller and author.  Fair is Fair: World Folktales of Justice was awarded the American Folklore Society’s Aesop Prize, as well as a Storytelling World Award.

 

Her brilliant anthology, In Full Bloom: Tales of Women in Their Prime (foreword by Naomi Baltuck!is well known in the storytelling world.

 

But at heart she has always been a poet, and a visual artist.

Sometimes both at once. Her work, Generations, is a collage featuring a vintage photo of four generations of the women in her family.  Having grown up in Kansas, Sharon chose to include the quilt pattern called “Kansas Troubles.”

On the back of this piece–and at the heart of it– you will find her poetry.

Writers, poets and artists, teachers, mothers and grandmothers…hell, everyone occasionally needs a boost.

I am fortunate to know creative people with whom I can retreat and reenergize.

To share ideas…

To feed our spirits…

To get the creative juices flowing.

To create a quiet space to write….

…and write…

…and write.

Whatever it takes!

Last week I felt overwhelmed by the enormity of the next writing project I have committed myself to.  Sharon said, “Before dawn this morning, I was stewing about my resistance to starting a new painting and was reading Art and Fear: Observations on the Perils (and Rewards) of ARTMAKING. And this poem came:

I am more than the sum of dried paint tubes and stacks of attempts and tries.
I am the breath of color on canvas,
I am the vision of something never before.
I am the incessant urge of “one more time”.

Sharon transported me from that space of uncertainty.  I felt cradled and spooned by the good women in my life.  I felt bound not by blood and bone, but by our passion for language, story, and the incessant urge of “one more time.”

I know I can and will do whatever it takes.

One. More. Time.

Click here for more interpretations of The Weekly Photo Challenge: Admiration.

c2013 Naomi Baltuck.

Please allow me to introduce you to another friend.  Jamie Dedes is the founder and managing editor of an inspiring blogazine called INTO THE BARDO.  Above all, Jamie is an incredibly talented poet, whose words give pause, bring smiles, tears, and moments of breathtaking recognition.  You will find her poetry on her blog,  THE POET BY DAY, the journey in poem.  Another good woman.

Flight Patterns

Flying to and from Detroit last week, as we crossed over the Cascades on our way east, I looked down and could have sworn I saw the earth’s ribcage, like that of a hungry beast after a long hard winter.

When we flew over farmlands, how could I not think of a tidy patchwork quilt?


Until we came to what looked like a giant game of Tiddly Winks.

I wondered why this river flows the way it does, taking the straight and narrow path…

…while this one flows across the same flat landscape, and goes every which way.  If I were a river, this is probably what I would look like.

Even so, I can’t help but see patterns in the chaos.  I liked the way these clouds lined themselves up, almost like checkers on a checker board.

I don’t want to get all Rorschach on you, but who doesn’t think this looks like a pair of shoes a giant lady kicked off to go running barefoot in a wheat field?  Mmmm.  In fact, maybe she was the one who left behind the giant Tiddly Winks.

Oh, I see what happened now.  A giant snake came slithering across these hills and frightened her away.  Okay, okay, so the snake’s head looks a bit like a dog’s, but it’s got a long skinny tongue and a rattle at the end.

When it comes to me and flight patterns, there are some things of which you can be certain.  I am never bored, I prefer peanuts over pretzels, the window seat over the aisle, and am always ready to fly off into a sunset.

All words and images c2013 NaomiBaltuck

Click here for more interpretations of The Weekly Photo Challenge: Earth.

Who Turned on the Lights?

People find the light in their life in so many ways and places.  It can be as easy as turning on a switch.

 

Some find all the light they need in a sunset…

…or a moonrise.

Others find illumination in a church…

…a synagogue…


…a mosque…

…or a library.

Sacred is a place that lights up your heart.

It isn’t always easy to find…

Some look for it in food…


…at the bottom of a wine glass…

…or through yoga.

Some light up with the joy and anticipation of adventure.

And what constitutes an adventure is very personal.

Sometimes light comes from the joy of creation in all of its many forms…

 

Everyone’s light shines through differently.  To each his own.

For me, love shines brightest of all.

 

It’s our life’s work and pleasure to follow the light…

…or to make our own.

It is there.

It is there.

It is there.

All words and images copyright Naomi Baltuck.

Click here for more interpretations of The Weekly Photo Challenge: Shine.