Telling Tales Under the Rainbow

“When Bat came to the animals’ party, Zebra said, ‘You’re not an animal. You have wings. Go to the birds’ party!’  Bat went, but there it was the same. Eagle told Bat, ‘You’re not a bird. You’ve got fur and ears and teeth.’  Bat slunk away.  Perched on a branch, as he cried, he lost the strength to hold himself upright.  He flipped over to hang upside down, his tears dripping down to the ground.”

When the story was over, everyone in the circle applauded Allison.

“It’s sad,” said the first listener. “If it were a kid’s book, the bats would get together and have their own party. But Bat doesn’t get a happy ending.”

“That’s reality. He didn’t choose to be this way and he’s rejected for it anyway.”

“For me, this question of categorizing Bat is really important. It reminds me of going to the bathroom and choosing ‘Men’ or ‘Women.'”

“Or being bi and having everyone want to label you as either gay or straight.”

So begin our meetings at Under the Rainbow

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As the parent of gay children, Naomi Baltuck knew that few programs or public gathering places existed for LGBTQ in Edmonds, just north of Seattle.  In a climate of increasing intolerance, she wanted to use storytelling to heal, inspire, and strengthen the community.  But that connection had to be built on trust, and that trust had to be earned.

Under the auspices of the Edmonds Neighborhood Action Coalition, she partnered with a local queer-friendly game pub to launch a monthly Family Gayme Time, which drew a good crowd. Once that was established, she asked the Edmonds Library to host a monthly storytelling series called Under the Rainbow, for LGBTQ and Allies. When they agreed, she contacted the high school’s Rainbow Warrior advisor, and the Edmonds Diversity Commission.

Allison Cox, social worker and author/editor of The Healing Heart books on storytelling for healthy families and communities, lent her expertise. We needed it. Under the Rainbow was built from scratch. Should there be rules? Age limits? Time limits? Language restrictions? Could we find LGBTQ storytellers willing to work gratis, since we had no budget? We put the word out, and along came Chris Spengler, a storyteller known for her humorous and uplifting personal tales. Chris jumped on board, and we had our team.

Our vision wasn’t of polished performances, but to create a place for LGBTQ and Allies to share their own stories, to support each other and be supported. Rules proved unnecessary in a place where everyone is respected. Age limits too; we’ve had babies, elderly, and everything in between; everyone’s welcome. Our team comes prepared to tell, to get things started. Most of our lives aren’t centered around being a lesbian or bisexual or a supporter of those who are, so we also tell stories dealing with sexism or rejection for not fitting family expectations or having to suddenly pick up and start your life over…the human condition.

The first Under the Rainbow drew only four, we three storytellers and a straight friend. We reminded ourselves that storytelling can be healing, but to a person who has been disowned for coming out, it’s emotionally risky. Eventually Gayme Timers made the leap from playtime to storytime. We got school referrals, utilized social media, and the Seattle Storytellers Guild championed the program, lending non-profit status for grant-writing.

We meet at the library every Second Monday, 6:30-7:30PM. Refreshments are always served, because exchanges over cupcakes can be as momentous as those happening within the Story Circle. After each tale, participants are invited to share their reactions. Listeners opened up gradually. The first time someone volunteered to tell a personal story, we were hopeful. The next month, when a young person prepared a story ahead of time, we were elated. Now nearly everyone shares. The gay son of a Mormon bishop, a straight elderly woman who dated a gay man in Lebanon fifty years ago. We heard about being gay in Mongolia. Being homeless. At last month’s meeting, one coming out story led to another and another.

Tackety Boots (The Healing Heart ~ Families, edited by Allison Cox and David Albert) is a traditional Scottish tale about Sandy, who is kicked out of a party for having no story to tell, then takes an unexpected canoe trip across the river, changing gender in the process. He lives as a woman with another man and they have a child. Sandy finds the canoe one day and is shocked when it carries him back across the river and he becomes male again. Distraught, he bursts into the party and wins a bag of gold for telling the best story of the night. But Sandy could only whisper sadly, “Oh my child! Oh my man!”

Allison even told the children’s classic, “Going on a Bear Hunt,” by Michael Rosen, an acknowledgement of all the times in life you “can’t go over it, can’t go under it, can’t go around it…got to go through it!” Everyone clapped in time, grinning like a kid.  Naomi chose Tatterhood, the Norwegian story of a girl born different. No matter how hard the queen tries to mold her into a princess, she defies taming and remains true to herself, but saves the day in her own way.  While traditional stories evoke conversation, Chris’s personal stories turn listeners into tellers.

The success of this program can’t be measured in numbers, but by the impact it makes on people’s lives. Even more good things lie ahead. We’ve just received a grant from the Pride Foundation to bring in more LGBTQ storytellers for concerts. Writing Rainbow is a natural offshoot of Under the Rainbow. We meet monthly at a queer-friendly Edmonds café to write, brainstorm, and meet other LGBTQ+A writers.  A Gayme Time spinoff is LGBTQ+A Dungeons and Dragons, where gaymers roleplay a crew of gay pirates, creating their own continuing adventure story.

Here, under the rainbow, we celebrate who we are. It looks like the bats are having a party of their own after all!



Naomi Baltuck, Chris Spengler and Allison Cox are storytellers living on the shores of beautiful Puget Sound, and they invite you to come listen and share a tale at Under the Rainbow.

©2018 Naomi Baltuck, Chris Spengler, and Allison Cox

A Match Made in Hell

 

Are you familiar with The Little Match Girl by Hans Christian Anderson?  It’s a tragic tale about a child trapped in a world of poverty and abuse, hunger and homelessness…

On New Year’s Eve, someone steals her ill-fitting shoes, so the little girl wanders barefoot through the snow, trying to sell matches to uncaring people hurrying home to warm houses and holiday feasts.  No one has a farthing or even a second glance for the unfortunate waif.  If she goes home having sold no matches, her father will beat her.  To keep the cold at bay, she huddles against a wall and strikes her matches, one at a time. In each tiny flame she sees visions: a warm stove, an elegant feast, a Christmas tree lit by candles…  

Then her dead grandmother, the only person who ever treated her with kindness, appears to the shivering child, and carries her soul off to Heaven. The next morning, the strangers who walked past her the night before discover the little match girl’s icy corpse, clutching the burnt-out matches in her frozen fingers.  Too late they feel a twinge of pity.  The end.

As a child, I hated that story.  I was appalled that grownups could look away from a child’s suffering, without lifting a finger to help.  Why would anyone invent such a depressing story, and who would want to hear it?

As an adult, I still hate that story, and even more now, because I realize that when Anderson wrote The Little Match Girl in 1845, except for the bit about the grandmother, he was fictionalizing a deplorable reality he himself was witnessing. He wrote during the Industrial Revolution, when the poor were miserable and overcrowded.  Pollution from the unregulated burning of coal poisoned the air, and factories were dumping metals, chemicals, raw sewage, and other toxins into the lakes and rivers that people depended upon for drinking water.

Wages were so low that the working class toiled 12 to 16 hours a day, yet still couldn’t earn a living wage.  On the brink of starvation, they sent their children to work in factories and mines.  Many were separated from their families, left to the ‘mercy’ of strangers, working ungodly hours for only a place to sleep and the food they ate.

In 1832 it was reported, “…workers are abandoned from the moment an accident occurs; their wages are stopped, no medical attendance is provided, and whatever the extent of the injury, no compensation is afforded.”  

The wealthy were given free reign to exploit the poor. When the Industrial Revolution sparked disputes over inhumane working conditions, the government introduced measures to prevent labor from organizing. The rich got richer, the poor remained poor, and children, who were forced to work all day or starve, couldn’t get an education to help them rise from poverty.

In the USA, industrialization occurred mostly in the North, with an influx of immigrants serving as factory fodder to keep up with attrition and demand. The South had its own foul history of systemic oppression, with its agrarian economy dependent upon human slavery.

Over time, Americans have fought and died for the cause of social justice.  They organized labor unions, which brought an end to child labor, shortened the work week, and ushered in workman’s compensation for on-the-job-injuries. They are still trying to negotiate a living wage.  Public education, Social Security, Medicare, Affordable Healthcare have all helped to even the playing field and a provide a social safety net.  Civil rights, women’s suffrage, Affirmative Action, environmental protection have, too.

We still had a long way to go to overcome class, gender, religious, and racial discrimination, such as the legacy of Jim Crow that still exists.  Yet we saw the middle class grow, the standard of living rise, and each generation doing better than the preceding one, until the 1970s.  What in Hell happened?  Ronald Reagan, and his trickle down economics, for starters.  It has been a downhill slide since then, snowballing since the Trump administration took power.

Today there is a little match girl on every street corner.  Our democratic republic has degenerated into an oligarchy, bought and run by big business, with puppet strings being yanked all the way from Russia.  International treaties have been broken, environmental protections scrapped to increase company profit, families torn apart by inhumane ICE policies, cruelly punishing the innocent children of undocumented immigrants. Affordable Healthcare, Social Security and Medicare are in the administration’s crosshairs.  The three richest men in America own more than half of this country’s wealth.  Our society has regressed two hundred years to become a near perfect match for the one that inspired Hans Christian Anderson to write The Little Match Girl.  A match made in Hell.

I will always hate that story.  But we need to keep telling it, until we can pound out a new ending.  We need to keep telling it, until we never need to tell it again.

©2018 Naomi Baltuck

Veterans’ Day

On November 11th, sleep in, go shopping, see a movie.  But please do take a moment to remember what this day is really all about.

At our house, we will be lighting a candle for my special army buddies, Colonel Earl Edward McBride, Jr., Harold Nye, and Donald Hogue.  I am so fortunate to have met them, and so grateful to them for their friendship, for the stories they shared, and for their service to our country.  They went to war as untested young men, and came home heroes, bearing scars inside and out that would change them forever.

I will be writing to my friend Jack Oliver, a very kind and wise WWII vet who went to boot camp with my Uncle Lewis in 1944.  I will thank him for his service to our country in a horrible war that saved the world.  Jack helped me understand not only what it meant to serve in the war, but also to understand the wrenching pain of coming home, when so many young men did not.

 And tomorrow, as we light our candles yet again, we will be thinking of my father, Harry Baltuck,  and Remembering Uncle Lewis.

 

All words and images copyright 2012 Naomi Baltuck.